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Tuesday, August 7, 2007

Lichtfaktor: Stars Wars vs Star Trek



Lightwriting in London by the Lichtfaktor crew. An amazing new technique achieved by setting the camera to long time exposure and writing with flash lights on the landscape.
Star Wars Vs Star Trek on Sky Movies Sci-Fi & Horror from August 6th - 12th 2007
www.skymovies.com/starwarsVstartrek


Credits:

Video: Lichtfaktor
Music: The Green Man: Basswerk

Thanks to lichtfaktor

Jeep: Heritage



Credits:
Agency: Cutwater, San Francisco (US)
Creative Directors: Travis Britton, Chuck McBride, Joe Kayser
Production Company: RSA Films, Los Angeles (US)
Director: Jake Scott
Producer: Fran McGivern
Post-production: PLANK
Editor: Catherine Bull
Visual Effects: The Mill
FX Supervisor: Gabrielle Gourrier
CG: Robert Kolbeins
Flame: David Parker, Phil Crowe
Music: Jonathan Edwards - Sunshine



Via: advertising for peanuts / Everything's Better With Brentter

Sony Blu-ray



Here’s Brett Foraker’s new Sony Blu-ray Disc commercial.
The advert was filmed on location in Hungary within a working industrial chimney, with all shots taken in the absence of any form of natural light. A bank of lasers capture the action of gladiators battling futuristic robo-cops and suped-up motor cars being dropped from a sheer height (hence the industrial chimney).

Credits:
Agency: Fallon London (UK)
Creative Directors: Juan Cabral, Richard Flintham
Creatives: Lawrence Seftel, Dave Day
Account Director: Rachel Emms
Production: RSA Films Ltd London (UK)
Director: Brett Foraker
Director of Photography: Daniel Landin
Editor: Adam Rudd @ Final Cut
Post Production: The Moving Picture Company


Via: AdArena

Monday, August 6, 2007

zZz is playing: Grip



zZz is playing: Grip is a video for the band zZz. Its a one take, top shot videoclip with trampoline gymnasts simulating typical video effects. The video has been recorded live as part of the opening 'Nederclips' at the Stedelijk museum 'S-Hertogenbosch SM'S (curated by Bart Rutten).

The project was commissioned by the TAX-videoclipfonds and an important criteria was that the audience of the opening was be able to witness the whole shoot, another criteria was that it should be added to the exhibition imediately after the shoot was done. So we had no option to reshoot or edit if something went wrong. This made us so focussed that we did better that any of us have could imagined.


Thanks to Edu for the tip.

UNIQLOCK